例句與造句

1. Bogdan Saltanov became the last court painter hired before the death of Simon Ushakov, the undisputed leader of Muscovite art school.
2. In September 1657, Vladimirov authored a treatise ( addressed to Simon Ushakov ), where he advocated the use of chiaroscuro in icon painting.
3. The finest Muscovite gunsmiths ( the Vyatkin brothers ), jewelers ( Gavrila Ovdokimov ), and painters ( Simon Ushakov ) used to work there.
4. Saltanov was the fourth foreign artist employed by the Moscow court ( after the Slavic chiefs of painters'workshop, including Simon Ushakov, were naturally born nobles, and apparently Saltanov was also recognized as such.
5. Together with Simon Ushakov he decorated the royal gates to the church in the Kremlin Palace of Evdokia worked on decorations for the north door to the Cathedral of St . Basil, and repaired five local icons and holy gates.
6. It's difficult to find simon ushakov in a sentence. 用simon ushakov造句挺難的
7. Very little subsists of its original murals, yet there is a delightful 17th-century iconostasis, salvaged from the Ascension Convent cathedral upon its demolition by the Bolsheviks and displaying many fine old icons, notably those by Fyodor Zubov and Simon Ushakov.
8. We know almost nothing about the early years of Simon Ushakov . His birth date is deduced from his inscription on one of the icons : " In the year 7166 painted this icon Simon Ushakov son, being 32 years of age ".
9. We know almost nothing about the early years of Simon Ushakov . His birth date is deduced from his inscription on one of the icons : " In the year 7166 painted this icon Simon Ushakov son, being 32 years of age ".
10. By the 17th century the influence of Renaissance painting resulted in Russian icons becoming slightly more realistic, while still following most of the old icon painting canons, as seen in the works of Bogdan Saltanov, Simon Ushakov, Gury Nikitin, Karp Zolotaryov and other Russian artists of the era.
11. Igor Grabar considered Saltanov and his contemporaries Ivan Bezmin and Vasily Poznansky as the fourth and the last class of Simon Ushakov school, an " " extreme left wing in the history of Russian icon art, the Jacobins whose art departed with the last traces of an already evaporated tradition " " ( ).
12. The portrait of Feodor III of Russia was commissioned by Sophia Alekseyevna in 1685 to Simon Ushakov and Ivan Maksimov, but both these icon painters declined the job, and it passed to Saltanov . The absence of records confirming payment for the job to Saltanov led Elena Ovchinnikova to assert in 1956 that it was not Saltanov's work at all ( she attributed it to Bezmin ).